Four more paintings completed in 2013 and 2014. I find the architectural landscapes also quite challenging because the added problem of perspective is introduced.

Three more paintings from 2013. I read yesterday if you have a blog you need to keep it up to date so as to appear in control and active in your career. So, here it is, and now if I can maintain a virtual presence I think I'll be on my way. During this past year I did many more plants than I usually do. They are more challenging than landscapes because of their intricacy. Recently I painted a figure from a photograph that a friend gave me, usually I take my own photographs but this particular photo was taken on trip we took with a group of friends to Tuscany, and it spoke to me. I entered it into an art exhibit but will post it when I get it back. So don't be surprised it you see more figurative work posted here soon. Don't be surprised if you don't, either.

Three Paintings completed this past year.

Fall 2011

Still here. I've had a very busy summer and am relieved to be moving into a slower paced, more productive phase of the year for me. My summer shows are done for the most part and I can, once again, settle into painting. I've been asked to participate in an exhibit being put together by a group of local artists and have been focusing most of my energy on the work I'm doing for that show. Also, I've been working on the "Top Shelf," project for the Discovery Museum in Bangor and hope to finish that up next week.

Spring, 2011

It takes a certain type of person to make frequent entries to a blog, journal or diary. It does no good to cajole oneself or feel guilty about not keeping up, although I certainly do feel guilty with my lack of blog entries; but, just making them when I can has to be enough for me and since I don't rely on this as a method to sell my work, it is OK.

I have been working on a number of new pieces during the past few months and will show them here, today, even though none of them are completely where I want them yet. Posting them later when they are done is something I like to do so that I, as well as others, may see the progression of the works. These are a few.

September

I Started this entry way back in August and this is the first time I have actually been able to take time to finish. Today is October 8th so it has been quite a while. It still is a problem for me to place images where I want them to go and wonder if there is a way to do that.

The painting of the porch is one I did probably about 15 years ago and recently pulled out from the back of the closet I store a lot of my paintings in. Since then, I have completely repainted the entire surface. The colors now are so much more vibrant. In the older version, for some unknown reason, I greyed the colors down so much that they didn't really look blue. I also fooled around a little more with the perspective, and it is one of the problems I had with this painting from the beginning. I have actually repainted the perspective a number of times, changing the lines of the stairs and the clap boards. I think it's right now. One instance where perservarence paid off. The landscape, I painted for the Downeast Sails Uptown show and it was one of those paintings that pretty much painted itself. We were supposed to paint something, that in our opinion, represented Downeast. Nothing further represents, to me, Downeast than tall pine trees against a blue sky. It is so typical of our coastline and I just love driving on Rte 9 to Eastport in the Summer and seeing the pines, the blueberry barrens and the blue sky.

Since most of my energy has been focused on the art festivals I do in summer, I have not been able to complete many paintings lately. These are some I have completed this summer and some I have been working on that are not done yet.

Moving into August

I'm sitting here waiting for my student to come, she is usually early, and I decided to make an entry. Most of my paintings are packed in the pick-up truck for the shows I do in summer. It's convenient not to have to pack and unpack everything each weekend, but it does tie up the truck for the duration. I haven't started any new paintings lately and am wondering if it's why I have an anxious knot in my gut. Being an artist is a mixed blessing. When I'm creating and in that special place, the world drops away and my focus is thoroughly on what I am doing; but when I'm in a place where I'm not creating, I become tense, with a yearning to be back at my easel. I have talked to others and it is apparently a universal problem that we face as artists. The above images are paintings I did from photos that I take. Sometimes I edit the composition quite a bit, but did not have to in these. You can see that the color and mood have changed dramatically, though.

July

Apparently, monthly seems to be what to expect from myself to make an entry. I've been travelling, doing shows and painting which seem to be what it as all about for me right now. I'm posting a couple of finished paintings. If anyone is reading this, I would love to hear from you. These are three of my newest paintings. The clothes line image went through a few changes before it got to this stage. I added another chair and repainted the entire surface a number of times before I was satisfied with it. The coastal scene presented some struggling before I got the water to do what I wanted, it could use a little more tweaking, but I think I'm calling this one done.

I like the new templates available and changed mine to awesome. One thing I have a problem with is getting the images to go where I want them to. If anyone reads this and knows how to do it, make a comment.

June

Already, it is June!! Here are a few paintings, some not posted before and some that I have now finished. The still life is now one of my favorites. It is so simple, just a few objects on a plain grey background. The background had to painted a number of times until I got it just the right color and value. I wanted it to stay neutral but still have some pizzaz to it so I used violet and gradually greyed it down with yellow. The objects really stand out against it. The next still life I do, I plan to have in front of a window with a landscape outside... I've seen it done by other artists and it always makes an impression on me.

I'm still here

It's been a long time coming, but at last, I am able to make an entry. It's funny because I think about updating my entries often, unfortunately, a person has to discipline oneself inorder to do it on a regular basis. I don't promise myself to be more faithful to writing or apologize either, to myself, for not making entries because that would turn it into something I don't want it to be. So here it is, my latest entry. I have been painting almost every day, weekends not withstanding. Weekends are family time.

My summer schedule is taking shape and I will end up doing 7 - 10 outdoor festivals in addition to the galleries I show in, so it will be a busy summer. Here are a few of the paintings I've been working on, none are done yet, but will be completed in the next couple of weeks.

Doing summer shows is a nice break for me, even though it's a lot of work, it is interesting to talk to people who come out to

see the work.

It's been awhile since my last entry, almost a month, so it is time to catch up on what has been happening these past few weeks. I have been working on a number of paintings and one in particular is of interest because it is the result of not being able to resolve another one I had been working on. If you remember, the still life with the blue check tablecloth was a painting I was quite obsessed with, I wanted to get the cloth right. The checks involved a lot of perspective and value changes inorder to get it to read correctly. Well after painting it, repainting it, and painting it again, making changes in color or folds in material, I came across a quote from a poet, at a meeting I was attending that stated, simply, during the process of writing a poem, the poet has to be just smart enough to know what the poem wants inorder to reach it's completion. This line of thinkings can also apply to painting, so after much stressing about that god forsaken cloth, it struck me that I wasn't listening to what the painting was telling me. The above painting is what resulted from the blue checkered still life that I suffered over for weeks, it went down on the canvas in a matter of hours, and even though there are a few details to work out, the painting seems to have almost painted itself.

A New Year

Well, my visit to California is drawing to a close and I will be flying back home tomorrow. A long tedious day is anticipated, but the trip is worth the inconveniences of travelling by air. I am very happy to be getting back to my studio and family on the East Coast but will miss my family on this side of the country. I haven't done any art work while here, and that is the way I planned it. Just wanted time to spend with my family and do some sightseeing. Now that I'm coming back, though I am very excited to be thinking about getting back to work. I think I've got some good reference material so some west coast art might be showing up on my blog.

December

For lack of a better title, I'm calling this entry December. Many happenings this month, the Bangor Art Society's Holiday Auction on the 5th, a meeting for the Bangor Downtown Arts Collaborative and then on the 16th I am flying to Santa Barbara to spend the Holidays with my daughter and her family. My husband and I will then be driving to Arizona and New Mexico to do a little sightseeing. We will be gone until the middle of January and I am looking forward to the time away.

I have been spending so much time at my studio these past few years, don't get me wrong, I love being here, but I need some time away for awhile. I need to get centered and get my feet firmly planted back on the ground. This trip will be a nice change.

The painting here is the painting I put in the auction for the art society. I painted it a number of years ago and changed things in it a couple of times. At one point I actually brought the whole scene in closer to have a stronger focal point. I've changed the color of the sky a number of times as well as the color of the house. I'm glad someone bought it. I'm sure it will now have a good home.

Downtown Bangor Art Walk tomorrow night

All the artists in my building are busy getting ready for the art walk. We clean our studios, hang new work, trip over debris in the hall. We have a lot of fun getting ready, but it is also a lot of work. I know, now that we have the art walk four times a year, my studio will get cleaned at least that many times. I still find myself resorting to a childhood trick, though, whenever I was made to clean my room, the closet door would get opened, and any bit of clutter would get stashed away. What is unfortunate for me now is just when I have found the everything that I stashed away, it's time to start all over again.

This is a painting I worked quite awhile ago. Originally it looked like the one on the bottom, but after studying it for an extended period of time, I decided that I wanted the foliage to be warmer. I like the second version better.

Halloween Fast Approaching

Halloween is one of my favorite holidays-- the mystery, the festivity, the costumes and sometimes the weather. This year we, here, at 9 Central Street are having a Halloween Party for friends and friends of friends. Since I was the one who wanted it, I am doing most of the planning and decorating and having so much fun in the process. The pumpkins I bought at Walmart - $4.00 per, and they are big - are being transformed into spooky looking entities and with the new l.e.d. candles, fire hazards are not and issue anymore . The building we are in is quite old and eerie without doing anything to it, so with a little tweeking here and there we should be able to create an environment that would give even the die-hard halloween fan the heebie-jeebies.

Where Does the Inspiration Come From?

The question, which is so subjective and broad in scope, is, none the less, a question that most artists ponder for a considerable amount of time. On the other hand, one of our greatest fears is, " what if the inspirations stops?" So fearsome a thought, I won't go there, but rather will try to answer where inspiration comes from for me. Other artist's work is one of my greatest inspirations, whether they are living, contemporary artists or great masters who are no longer here. One young, compared to me, painter I had the pleasure of meeting a few years ago, and have been following his career since is Colin Page. I read his blog regularly and feel akin to many of his thoughts about painting and being a painter. His work is phenomonal and my gut tells me he will be a great American artist before is career is through.

Something else that inspires me a lot is how some artists are able to take the very mundane and make beautiful paintings out of it, something I strive for and hope to be able to do with ease some day. In my painting, You're In, You're Out, I painted an interior scene based on the kitchen of the Red House on Monhegan Island, and as always with interiors, I was having a hard time making a statement in the painting. After much ado, I got the idea to put my dog and husband in the scene, and voila, it solved the problem! An inspired thought, for sure.

Some Thoughts

Keeping a journal has always been something I wanted to do but never did--for whatever reason, I don't truly know. This blog is the closest I've come to it and I realize that new technology has made it much easier for one to correspond with friends, or anyone for that matter. Being able to upload images is just an added plus to this whole process. A friend of mine, an avid journal keeper and painter used to glue photographs of her work, or places of interest, into her journal, adding a new and interesting dimension to journaling.

With that said, I now want to update a photo of an unfinished painting, posted earlier, that I intended to work on in these ensuing weeks. When I originally started this painting, I set up the still life for a student and decided to paint along with her to more or less walk her through the painting. At the outset, because of the complexity of the print, I decided to simplify the tablecloth for my student. After she finished her painting, which came out very nice, and I began to complete mine, I decided to remain truer to the print of the tablecloth, and I must admit, it is a lot more challenging then I expected it to be. I do enjoy working out the problems, though, and feel it will be worth it when I am finished. I still have some details to resolve on the left side of the cloth, but the right side is falling into place nicely. There is a lot more work to do, overall, but it should turn into a nice painting when done.

Why Do I Paint

As I lay in bed last night, not able to sleep, I thought about painting and about my process in particular. It is one thing to be able to paint, but to verbalize why or how is completely different. When I teach my students I try to get them to pay attention to value and also to notice relationships between shapes in a given space. But last night I began to think about what I think or feel when I paint and what I realized is that I try to define the essence of the object or scene I am painting; for instance when painting glass, what constitutes its essence. It is reflective yet transparent, solid yet liquid, smooth. What about a tree? I remember reading an anecdote, when I was taking a Tai Chi Class, about a Buddhist Master who was visiting a certain monastery and when the Senior Monk met with him in the court yard, it was noted that they sat for a very long time without saying anything at all. Finally, the Master was heard to say to the Monk, "They call that a tree." The anecdote has spoken often to me as a painter. I try to understand what the Monks were witnessing and begin to understand the essence of what makes a tree a tree. It is not just the physicality of the tree, but how the wind rustles the leaves and how the light flutters through them picking up color from the sky in some places and casting shadows in other places. How the birds flit from branch to branch and how the bark of the tree is alive with insects. If you touch the bark, sometimes pieces will come off in your hand and it is so rough. If you can think of an object from this perspective, it will then become possible to paint.

Working out the kinks

I just made a few adjustments to my blog and I'm sure that there will be more as I learn to navigate this system. In a few minutes I am going to start painting, it has been calling to me all day and I have been busy with other things. Got to get to work.

Here is a painting I did a few years ago and I'm pretty sure I sold it, if I didn't it means I painted over it because I haven't seen it for a while. Sometimes I'll paint over pieces because I can't seem to work out the problems of the painting. I think I want to try to paint this again, I like the view and it would be interesting to see how I would interpret it a second time. My style is constantly evolving so I know some things would look very different. I will post the painting when I finish it.